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Monday 28 March 2016

Why My Fair Lady sucks

On my mission to see all the movies I should, I got around to at last watch My Fair Lady. I think it might be the first Audrey Hepburn film I’ve seen (yes, I’m ashamed of myself).

It’s a witty movie with lovely score and great performances. Especially Rex Harrison shines as Henry Higgins, being the kind of charismatic character you just love to hate. I really enjoyed myself curled up in my covers, listening to the songs and getting to know the colourful characters. So, how did it suck if you liked it so much?

My Fair Lady sucks because it wins it all in so many ways and then it shoots its own leg and stumbles down. Yes, I’m talking about the ending.

Eliza Doolittle is absolutely brilliant character. I was already signed up for faithfully celebrating annual Eliza Doolittle Day. The growth to independence from Higgins’ influence was what really dragged me toward the movie. And then the end scene breaks my heart. After all the struggle she comes back to him and it makes no sense.

To have some explanation, one could argue that she had now won the battle and they both knew it – so she didn’t have to be without him if she didn’t want to. She could do so. He couldn’t, she’s in power. But the way this version of Eliza looks at poor professor Higgins… It’s a tender look. And gosh, if he would’ve learned anything at all he should’ve worked on what to say to her. After all the power she has gained back it doesn’t feel good enough reason.


Other commentators online were saying that she just had to marry someone as the social structures demanded that and Higgins’ was the only choice. Well, she had Freddy, but really he’s just a useless side character, she couldn’t possibly care for him – and he didn’t have money anyway. Why everyone tends to forget Freddy was the one character who was attracted to her for who she was right from the beginning? After the talk Eliza gave him (“Show Me”), it seems that he was there for her. That was just what she dreamed of in the beginning - that, and chocolate, and we could assume that somebody being there for her for a change would be something she needed a tad more. Just think about her father. Anyway, if she didn’t want to marry Freddy she could’ve married somebody else. It was proven that she was popular – and after all the attention at the embassy ball she sure looked good in the eyes of (rich) suitors.

Somehow Higgins still has his fans. Direct quote from a YouTube comment favouring Eliza/Higgins: “Higgins is a little sexist and over the top with his personality”. Little sexist? Really, it’s 2016 and men are still so easy to forgive. There was no proof of him changing his habits – and without that there was absolutely no reason for her return. Is it really just me who doesn’t think that love hurting is not a romantic idea? When love hurts you know it’s your time to leave.

My Fair Lady – the musical  is based on the play Pygmalion by George Bernard Shaw, first performed in 1913. He did not write the two ending up together and he was repeatedly crossed when the impossibility of this pairing was ignored. To please the audience with a ‘happy ending’, the actor of Higgins gave Eliza flowers. "My ending makes money; you ought to be grateful.” Shaw wasn’t grateful. For the 1938 movie version of the play he offered a compromised tender farewell between the two and then a scene from Eliza’s and Freddy’s flower shop. Didn’t go as planned; in that movie too Eliza comes back like in My Fair Lady, joking about her first visit.

From Eliza’s point of view the ending doesn’t feel natural. It’s clear that the audience is keen to see Higgins as the hero but as the story goes on, I think it’s inevitable to see that Eliza is the real hero here – and I believe it was supposed to be so. If George Bernard Shaw could write a strong female character who chooses her own way and says no to a man a hundred years ago, you’d think that it could be seen so over romantic clichés decades later - and that the present day viewers could do that too. Bring down the patriarchy or what? 

Thursday 24 March 2016

Here we go again

When I started this blog, I thought that it would become a motivator for me to dig deeper into cinema – and maybe something to mention in my personal statement for film studies. As it can be seen, the noble idea was quite short lived. Whoops.

But since then everything has changed. I got into the school of my dreams without any mention of a film blog; I’m moving to London in September and starting a new chapter in my life. As the glorious unknown is getting closer, the urge to write about movies has grown stronger. I’m really motivated about my future studies and that’s why I want to do my best, why I’m already reading through books on cinema and watching the classics I should've seen ages ago.

So, this is something of a new beginning. Here’s my little travel video from my first visit to London last autumn. I promised I’ll come back... but didn’t really think it would mean actually moving there!